HELEN
FRANKENTHALER
A Legacy in Layers – Earthbound Elegance
To know Helen Frankenthaler’s work is to understand the art of color, gesture, and innovation at its highest level. A true pioneer, Frankenthaler was instrumental in the birth of Color Field painting — a movement that evolved from Abstract Expressionism. While the AbEx movement made its mark with aggressive, bold gestures, Color Field embraced large, luminous expanses of color. With Frankenthaler, American abstraction entered a new era of openness and lyricism.
In 1952, she created Mountains and Sea, the first major work using her now-famous soak-stain technique — pouring thinned oil paint directly onto raw canvas, allowing it to absorb like watercolor. This fluid, atmospheric approach quietly broke with tradition and would go on to influence an entire generation of artists. While contemporaries like Jackson Pollock approached the canvas with raw energy and bravado, Frankenthaler offered something different: a more nuanced, lyrical response that carved out space for both women and men in the evolving language of abstraction.
Helen Frankenthaler
Parets II, 1988
Monotype with hand-colored acrylic on handmade embossed paper
37 3/4 x 50 3/4 inches
Signed
Parets II, 1988
Her approach to abstraction remained deeply rooted in the natural world — nature was her constant muse. In works like Parets II, this connection is abundantly clear. Frankenthaler’s signature balance of control and spontaneity is on full display in this original monotype with hand-colored acrylic. Using handmade, embossed paper, she creates a mountainous landscape in earthy tones of brown, red, and umber. At the top, splashes of blue evoke the sky, leaving the viewer with the sense of an ancient, poetic interpretation of the land.
Helen Frankenthaler
Earth Slice, 1978
Soft-ground etching, sugar-lift etching, and aquatint on Mauve HMP handmade paper
15 x 25 3/4 inches
Edition of 46
Earth Slice, 1978 | Ganymed, 1978
Earth Slice feels like a quick, lyrical glimpse into the terrain — soft browns and greens suggest a fragment of the Earth, captured with intimacy and reverence. Her printmaking technique makes the surface feel personal, as if she painted it just for you. The same painterly qualities appear in Ganymede, where vertical strokes of pastel blue and pink move upward like a rising sun — again evoking that quiet, grounded connection to the natural world.
Helen Frankenthaler
Ganymede, 1978
Etching and Aquatint
22 1/4 x 16 1/2 inches
Edition of 49
Helen Frankenthaler
Madame de Pompadour, 1985-1990
Lithograph in colors
43 1/4 x 29 1/4 inches
Edition of 60
Madame de Pompadour, 1985-90
In a shift Frankenthaler is able to take a historic muse, Madame Pompadour, and translate her through a lens of color and texture rather than likeness. The interplay of coral pinks, warm neutrals, and delicate contours channels elegance without the need for traditional form, speaking to Frankenthaler’s power to reinterpret the familiar into something entirely her own.
“One really beautiful wrist motion, that is synchronised with your head and heart, and you have it.”
– Helen Frankenthaler
Helen Frankenthaler
Ramblas, 1987-1988
Lithograph, drypoint, and etching
34 1/2 x 27 inches
Edition of 75
Ramblas, 1987-88
Finally, Ramblas offers a vibrant, rhythmic shift — a nod to movement, perhaps inspired by the iconic street in Barcelona. Swirls of ochre, crimson, and slate create a sense of urban pulse and human flow. It feels spontaneous and almost musical— a perfect example of how Frankenthaler’s work could remain rooted in sensation and spirit, even when it veered away from the explicitly natural.
Why This Collection Matters
While Helen Frankenthaler is often remembered for her radical soak-stain technique and influence on Color Field painting, her late-career printmaking and mixed-media practice reveal a deepening of her visual philosophy. These artworks—united by an earthy, introspective palette—demonstrate her mastery of both technique and tone. They are meditations on nature, memory, and the body’s relationship to landscape.
Available Now at Hamilton-Selway Fine Art
Helen Frankenthaler’s artworks in this collection are offered exclusively through Hamilton-Selway Fine Art. Each edition reflects a specific moment in her career, while the original Parrets II stands as a rare opportunity to own a singular creation from one of the 20th century’s most influential voices in abstraction.
Collectors are encouraged to inquire directly for pricing and viewing appointments. All artworks are in excellent condition and available for immediate acquisition.
